
At home in Cambridge (Photo: Emily O'Dell)
When I was teaching at Harvard, a good friend of mine used to come to my apartment in Cambridge to sketch me (and my
chihuahua Anubis) for several hours each week. I’ve always loved sitting for artists — I find it incredibly meditative, and I enjoy observing their process and progression. Since we had previously spent a great deal of time together tracing hieroglyphs in ancient Egyptian tombs on a Brown University-Cairo University excavation at the Great Pyramids in Egypt, we were very comfortable spending hours together in silence while she sketched me for long stretches at a time. We never had any set plan of what we would sketch — because
from sketch to painting, there’s no single clear path. I came to really appreciate sketching as a practice — requiring time set aside every week to observe, experiment, and play. Aside from its artistic benefits, sketching can be also be incredibly
healing (
drawing and sketching apps attest to its popularity). Looking over our sketches from that time, I am reminded that
sketches can be art in their own right — there is something delicious, to me, about a sketch that is unfinished, unpolished, and raw. A triumph of process over product.